The role of everyday on the formatio n of the Action in the drama building Reading: Play - New Day - By: Dariofo
Subject Areas : اخلاق و تربیت اسلامی
mohammad hosseain koodary
1
,
mohammad shokri
2
*
,
minoo khany
3
1 - Islamic Azad University, North Tehran branch
2 -
3 - Faculty of Humanities, North Tehran Branch, Islamic Azad University
Keywords: everyday, drama , action, Event, Capital. ,
Abstract :
Everyday is a daily repetition of a specific activity that is carried out in line with a goal outside of the human(self) being .Everyday is the result of the technologization of man in the city, which has shaped new aspects of contemporary human life. Contemporary man is known as a social activist in the struggle of this crisis and is no longer known not as man himself but as a systematic being in a structure. The Present Man is no longer known as what he is but as what he consumes in a perpetual anxiety. The following article examines such a human being, and from the perspective of philosophers Jean Baudrillard and Henri Lefebvre and theorists such as Andy Bennett, he reads such a human being to be known and his way of life in the first stage, and in the second stage he went to define the event in the play, putting the two definitions in front of each other. Everyday man, by living in everyday life, shows a different shape and shape than what might give an event a heroic answer. Such a man addresses the needs of everyday life and distances himself from the heroic order. Events become meaningless, and at such a time a person loses the ability to change. This reading seemingly destroys the drama because if the character in the drama is indifferent to the event that was formed according to the assumed conditions in the drama, The Knot will no longer be untied and before that the peak of the drama in the drama will not remain. Everyday is the first thing that destroys this is the heroism that takes the stage as the main motivation of the character and wants to change the world of the show, but the daily life itself can sit in the place of the event and manifest itself as the main crisis of the play. Darifo's play "day after day" has exactly the same icon. Dariofo tries to portray his personality as an indifferent creature to crises such as a weak link between a man and a woman or a dysfunctional situation of social class and poverty. The woman in the play only seeks to get consent from her employer and takes it for granted with her stresses and anxieties. The mind is machine. he only pays attention to the clock and repeats the advertising slogans of the products he uses. He lives in the fast-growing technology clause every day, and he can no longer try to save or want to try. This man is no longer a sovereign and subordinate being of thought, but a complete picture of a meat robot to consume whatever is at hand. The following article shows how this condition eliminates the event and the other show character goes about his daily life without any heroic command.
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